It’s a forward-thinking design that looks better on Retina displays, pointing the way toward a high-resolution future for Mac users. Longtime Mac users’ fears that the Mac was about to collide with iOS in some kind of crazy peanut butter-chocolate disaster have not been borne out. The design changes in Yosemite are noticeable, but the system is still very recognizably OS X. The Spotlight menu bar item remains anchored next to the similarly immovable Notification Center icon, despite the fact that the Spotlight window itself now floats in the center of the screen. Up in the (still translucent) menu bar, the bars on the Wi-Fi icon are thinner, and a simplified battery icon on laptops feels more like the one from iOS. It’s a light design flourish that isn’t offensive, but it’s not particularly bold either. It’s subtle, so it doesn’t harm readability, but it doesn’t really seem to serve any useful purpose. The Messages sidebar, for instance, is translucent.
It’s a style iOS uses in abundance, and it’s now sprinkled here and there in Yosemite. The most notable is probably the system’s increased use of translucency, in which some interface elements are semi-opaque, allowing a blurred-out version of whatever is behind the window to show through.
The sidebar in Messages is translucent, showing the items behind it.Īs with most OS X releases, Yosemite has its share of subtle design changes. It’s something worth keeping an eye on, especially given the radical changes Yosemite has in store for Safari. But in many other contexts, the title of the window imparts important information, and there’s a danger that some of that information could be lost if Apple takes this approach too far. In apps that never really have more than one important window (Calendar and Maps come to mind), the title is unnecessary labeling my Calendar window with the word Calendar seems pointless. I have to admit I’m also a little nonplussed about the disappearance of titles from the top of many windows.
Cliff os x yosemite wallpaper where windows#
Yosemite’s new look can lead to situations where windows feel more cluttered. And while those old title bars featured an awful lot of empty space, sometimes such space can be good. Unfortunately, an overly cluttered title bar might be hard to reposition on screen if you can’t find anywhere to click that isn’t covered by a button. By merging the toolbar and title bar, this approach saves some precious vertical space. I don’t really mind the trend-I use an 11-inch MacBook Air every day, so I know about cramped working environments. (Philosophical question: If a bar contains no title, can it still be called a title bar?) Yet Mail, TextEdit, Preview, and iWork all look the same as they ever did. The stoplight buttons share space with the toolbar in the Calendar, Maps, Messages, and Reminders apps. This design isn’t consistent across all of Apple’s apps, either. In many OS X Yosemite windows, the menu bar has vanished, and the stoplight buttons move around. Menus are now darkly translucent, and drawn with light text. Enabled by a checkbox within the General system preferences pane, this feature makes the menu bar dark, with light text, and the Dock’s background darkens substantially as well.
If you want to zoom a window’s size in and out, old-school style, you’ll now need to hold down the Option key before clicking the green button, or just double-click on the window’s title bar.)ĭarth Vader will be a fan of Yosemite, because it allows you to darken the menu bar and the Dock. The green circle no longer displays a plus-sign, however instead, it shows the two-headed arrow that indicates full-screen mode. (When you move your cursor over them, you’ll find the same X in the red circle and minus-sign in the yellow circle. In addition, the red, yellow, and green “stoplight” buttons on the corners of windows-the ones you use to close, minimize, or zoom that window-have been stripped of the shading effects that made them look like pieces of candy. Beyond the system font, the most obvious visual change in Yosemite is that the gray light-to-dark gradient atop most windows is now much more subtle, so much so that I didn’t even register that I was looking at a gradient.
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